AI for cinema, movies and producers

Project teasers and trailers, motion posters for release campaigns and social, pilot scenes for pitches and investor decks. Everything follows your script and references; format examples live in this hub, including frames from “Aironburg”.

Yes — that's a core use case: a pitch scene is ready in days instead of weeks of location work. Dramaturgy, storyboard and rhythm come from a team with a real filmmaking background; generation is a tool here, not a substitute for craft.

It depends on runtime and scene complexity: teasers and motion posters are fast formats, pilot scenes are quoted individually. Send a script or synopsis — we'll estimate it and show references from similar work.

It can, and usually that is the sensible route. A hybrid covers exactly the places where production hits the budget or the calendar: extending a background or a location, enlarging a crowd, adding the scene there was no time for on the expedition, finishing effects where the money ran out before the idea did. The reverse is equally true and we will say it plainly: if you need a living actor and that particular face, you need a living actor. Generation is an addition there, not a replacement.

The exact figure depends on the project, but the shape of the budget changes: cost moves out of the shooting block and into the creative one. No street closures and permits, no duplicate cars, no dive team, no pyrotechnicians and clearances, no equipment rental and crew logistics. The three clips in this selection — underwater work, a chase through St Petersburg and a crash with a grenade launcher — would each have meant a separate shooting block in conventional production. Here they are days of work, with changes possible after the screening.

We do. For channels and streamers we make project promos, idents and content for cinema and lobby screens. For book and game publishers, trailers. For musicians, videos. For advertising agencies, commercials and the previsualisation that used to be shown to the client as an animatic — now that stage can carry an almost final image. Agencies are invited to work with us on separate terms; there is a referral programme.

We handle those too. Aironburg was generated end to end, soundtrack included — the score was written to a finished cut rather than picked from a library. For a project that means a teaser or a pilot can be delivered complete, with music, effects and voice, instead of a silent image the client has to imagine sound over. Where a project already has its own composer and sound department, we work alongside them.

The client receives exclusive rights to use and commercially exploit the material, in all territories and with no time limit. We retain a non-exclusive right to show the work in our portfolio, at professional competitions and at festivals. A separate agreement can transfer that as well, with no portfolio use and an NDA attached — standard practice for projects where nothing may be visible before the premiere.